Forward the award email.
The 50% advance and the balance are drafted, with the dates in your calendar.
Advances, crew invoices, permits and clients, run from your phone. If you can send a text, you can run Systems.
For UK production companies and producers. No card, no call, no download.
Your inbox
Systems reads your work email and turns it into your diary, timesheets and invoices. Holds, call sheets, changes and payments are sorted as they land. You only see what needs you, with the reply already drafted.
Every email, sorted
Rolling out with the pilot. Nothing is ever sent without you.
How easy
The 50% advance and the balance are drafted, with the dates in your calendar.
Once a day, for the whole unit. Every crew member's overtime is worked out.
Every crew invoice is read and checked first. The odd one out gets a polite query.
Systems does the rest: the permits counted back, the start packs chased, the balance chased, the rights tracked.
On the day · coming next
The call sheet lands and your countdown, leave-by time and turnaround check are ready before you sleep. On the day the clock runs itself. If the shoot needs to go over, everyone gets the ask at once, and anyone who wants a word gets the producer, not a group chat.
Same shoot, both sides · coming next
The AD taps wrap once. Every crew member's timesheet and invoice is drafted from it, and the producer's check already matches, because it's the same record.
Wrap Thursday, paid Friday.
Call sheets · in the pilot
Send your own call sheet as a link by WhatsApp or email. No app, no login. Post V2 and only what changed lights up, and everyone gets a ping.
Crew passport · camera first
Bank, UTR, address, NI, dietary and next of kin go in once and carry onto every job. Start packs fill themselves, and nobody asks your dietary again.
Choose to be found. Producers see your role, credits and whether you're Available, Pencilled or Booked, never who for. They send a hold, you tap accept. Show your rate card only if you want to.
Your diary's in the £4. No 10%, ever.
The directory opens with camera first: ACs, loaders and DITs. Join as camera →
For crew · do the maths
You keep £5,352 a year.
10% is a typical diary commission. Check your own terms.
Try it
Drag the wrap. This is how every crew invoice is checked, on APA terms, before you pay it.
Your clients
The agency asks for an extra on set. Cost it, send it from your phone, and they approve without a login. It's logged to the budget, so the balance invoice has no surprises.
Systems drafts. You send. Every message goes out from your own email, in your words.
Made for you
Rolling out to pilot companies first.
Tap one to see what it does.
Pick a plan, then add packs as the work grows. Monthly, cancel any month.
Add packs
Overtime and timesheets are free on every job. One missed hour on a £450 day is £67.50.
Pilot prices. Try it free with sample data first, no card needed.
Yes. Open it, pick Producer, and it walks you round with a sample job. No setup call, no training. If something isn't obvious, that's ours to fix.
It sits beside Xero, FreeAgent or QuickBooks and does the film part they don't: crew days, overtime, permits, chasing in your name.
No. It reads work email from the productions, agents and suppliers you pick, and you can switch it off any time. It drafts replies. It never sends one for you.
No. Their invoices are read from email and checked either way. The live day works best when the unit is on it, but anyone who isn't just hears the usual way.
Tap "Talk to the producer". They're told who wants a word, and the ask stays open until you've spoken. The app saves the walk round the set, not the conversation.
If you want. Export a CSV from your bank, drop it in your Systems folder in Google Drive, and payments are matched to invoices. There's no bank login, and you can skip it completely.
You, and the production you're working for on that job. Nobody else.
Overtime and timesheets are free on every job, for good. If a producer runs the job on Systems, you use everything on it free. £4 a month adds your inbox, invoices, chasing and diary across all your jobs.
Yes. Systems sits alongside it, and holds you take through them still show in your diary. Plenty of people try both for a while and keep whichever earns its money.
Keep them. Give your agent a link and they manage your holds and offers in Systems, while you see everything as it lands.
It does the diary part: availability, holds, offers and clash warnings. It's a flat £4 a month with no commission, ever. Keep your agent if you have one and give them a link to manage your holds.
Nobody, until you choose to be found. Producers then see your role, credits and whether you're free. Bank, NI, address and dietary are only shared with a job you've accepted.
Both. Each job carries its own terms: APA for commercials, Pact/Bectu for drama, or your own flat rate.
Overtime and timesheets are free for crew. Crew Pro is £4 a month, producers £19, companies £59, with packs on top only if you want them. A producer's first real job is free, and trying it with sample data needs no card.